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Growing Up in the Heart of Motown

Born in Detroit in 1950, I was immersed in the vibrant music scene that fuelled the city’s automotive industry. At 11, I discovered my passion for music, beginning with the trumpet and later transitioning to the Hammond organ, my first true love.

My grandmother’s gift of a bass guitar at 14 ignited a lifelong dedication to the instrument. Despite facing comparisons to the legendary James Jamerson, I persevered through countless hours of practice, fuelled by my mother’s advice: “Don’t get mad, get even.”

During Motown’s rise, I soaked up inspiration from artists like The Four Tops and Jamerson himself. My big break came when a stylish stranger, Edwin Starr, walked into a studio where I was working. Impressed by my skills, he offered me the role of musical director for his New York tour.

From that moment, my career took off. My Motown experience laid the foundation for my work with renowned artists like Al Jarreau, The Detroit Emeralds, Real Thing, and even Van Morrison.

From Detroit Clubs to Global Stages

My journey with the Detroit Emeralds began in 1968 as their bassist. Cutting my teeth in Detroit clubs like Ben’s High Chaparral, I honed my skills amidst a vibrant music scene. Those early gigs, often attended by legends like Melvin Franklin and Richard Street of the Temptations, shaped me as a live musician.

Soon, the Emeralds’ electrifying performances took us across America, culminating in shows at iconic venues like Madison Square Garden and the Apollo Theatre. We started as supporting acts for renowned artists like James Brown, but the Emeralds’ own hits propelled us to European tours, captivating audiences in the UK and Germany.

Decades later, Jerome Rimson reconnected with founding member and lead singer James Mitchell Jr., introducing him to the MCM Global Team. James, determined to preserve his legacy, handpicked a new generation of Emeralds to carry the torch forward.

The journey came full circle as Jerome produced new records for the Emeralds, released under the MCM label. We’ve already released five singles and are currently working on a vinyl LP and tour.

A Detroit Touch in London Soul

Arriving in London’s vibrant music scene in the mid-70s, I quickly established myself as a bassist and producer. Drawing on my experience in Detroit studios, I produced The Real Thing’s debut album, contributing bass, keyboards, percussion, and string and horn arrangements.

The album’s success was undeniable, spawning hits like “You to Me Are Everything” (UK #1) and “Can’t Get By Without You” (UK #2). These songs also charted in the top 30 in the USA.

While I always admired The Real Thing and their members, the business side of the project was less satisfying. My name was unfortunately omitted from subsequent re-releases. However, the original LP credits accurately reflect my contributions to the album’s success.

A Lifelong Bond and Musical Partnership

My friendship with Phil Lynott began in London, where we spent countless hours together. His influence led me to move to Ireland, and together, we embarked on new musical ventures. Gus Isidore, whom I introduced to Phil, joined us to form the group black-male.

We toured Europe, enjoying the camaraderie and the thrill of creating music together. During this time, I also contributed bass to two of Phil’s solo albums: Solo In Soho and The Philip Lynott Album. Despite Phil’s own exceptional bass skills,he insisted on my involvement.

Our collaboration extended beyond our own projects, as we produced and recorded music for up-and-coming bands and artists.

In 2020, the documentary film Songs For While I’m Away chronicled Phil Lynott’s life and career. The film featured interviews with Lynott himself, as well as his bandmates, family, and fellow musicians like Midge Ure, James Hetfield,Adam Clayton, and me.

A Career-Defining Collaboration

My encounter with Van Morrison in 1974 at the Montreux Jazz Festival was a defining moment. As a young bassist, I was fortunate to be chosen to accompany him, despite the presence of more established musicians.

That unforgettable performance, featuring a stripped-down four-piece band, showcased Van Morrison’s extraordinary talent. It was a career-defining experience, perfectly captured in the 2008 DVD release.

Over the next five decades, I’ve had the privilege of performing with Van Morrison on over 200 concerts across Europe,America, Canada, and Australia. Our collaboration extends beyond live performances; I’ve also contributed bass and vocals to several of his albums, including The Philosopher’s Stone, Magic Time, Keep It Simple, and Beyond Words.

Van Morrison’s mentorship and friendship have profoundly shaped my career. His influence is immeasurable, and I’m grateful for the enduring bond we’ve forged.